The Music of Ignatius Sancho Raritan Players Sonya Headlam soprano Rebecca Cypess square piano

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[0:00] Lecture segment 1 • [4:00] The Friendly Visit (from Sancho, Minuets, Cotillions and Country Dances, ca. 1767) • [4:49] The Complaint (from Sancho, Collection of New Songs, 1769 or after • [7:05] Lecture segment 2 • [11:33] Sweetest Bard (from Thomas Arne, Ode Upon Dedicating a Building and Erecting a Statue to Shakespeare, 1769) • [13:54] Minuet 5 (from Sancho, Minuets, Cotillions and Country Dances) • [14:36] Minuet 6 (from Sancho, Minuets, Cotillions and Country Dances) • [14:58] Sweetest Bard (from Sancho, Collection of New Songs) • [17:02] Lecture segment 3 • [19:44] Nothing at All (from Sancho, Minuets, Cotillions and Country Dances) • [20:17] The Royal Bishop (from Sancho, Twelve Country Dances for the Year 1779) • [21:24] Anacreon Ode XIII [XXIII] (from Sancho, Collection of New Songs) • [25:15] Lecture segment 4 • [28:56] Mungo’s Delight (from Sancho, Twelve Country Dances for the Year 1779), with variation by Rebecca Cypess • [30:41] Thou Soft Flowing Avon (from Arne, Ode Upon Dedicating a Building and Erecting a Statue to Shakespeare) • [32:40] La maison de la Reine (from Sancho, Minuets, Cotillions and Country Dances) • [33:27] Thou Soft Flowing Avon (from Sancho, Collection of New Songs) • [35:51] Lecture segment 5 • [37:34] Kate of Aberdeen (Scottish air arranged by Jonathan Battishill) • [39:07] Minuet 11th (from Sancho, Minuets c. c. for the Violin Mandolin German-Flute and Harpsichord, ca. 1770), with variation by Rebecca Cypess • [41:52] Kate of Aberdeen (from Sancho, Collection of New Songs) • [43:49] Lecture segment 6 • [50:00] Shandy Hall (from Sancho, Cotillions c. Humbly Dedicated to the Princess Royal, 1776) • [50:57] Friendship Source of Joy (from Sancho, Collection of New Songs) • A lecture-recital created for the 2021 meeting of the American Musicological Society. • The keyboard instrument used in this performance is a square piano from 1780 by Johannes Zumpe, the most popular builder of pianos in 18th-century London. It was restored in 1993 by Tim Hamilton. Special thanks to Leslie Martin for generously allowing us to use this instrument.

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