John Zorn Kristallnacht

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One of the most prolific recording artists of all time (not necessarily a compliment), New York-based alto saxophonist John Zorn (1953) has certainly been very active. His gargantuan discography contains many ridiculous albums, released only because the cost of manufacturing CDs collapsed during the 1990s, but also a few important works that helped redefine the avantgarde at the turn of the century. • John Zorn (1953) studied composition in New York but conducted his first experiments in improvisation when he lived in St. Louis, where he met Joseph Bowie and other promising African-American musicians. Zorn, however, was already influenced by a variety of musical sources, both classical and jazz and even by cartoon soundtracks. • John Zorn emerged from the milieu of the solo creative improvisers, but his concept of improvisation was more closely related to John Cage's aleatory music than to Ornette Coleman's free-jazz. • Zorn's combinatorial exercises and cut-up techniques were in fact better pursued in his chamber music, which yielded large-scale works such as Kristallnacht (november 1992), for a Jewish ensemble (Mark Feldman on violin, Marc Ribot on guitar, Anthony Coleman on keyboards, Mark Dresser on bass, William Winant on percussion, David Krakauer on clarinet. • Source: https://www.scaruffi.com/avant/zorn.html • Tracklist: • 1 Shtetl (Ghetto Life) 00:00 • 2 Never Again 05:55 • 3 Gahelet (Embers) 17:41 • 4 Tikkun (Rectification) 21:09 • 5 Tzfia (Looking Ahead) 24:11 • 6 Barzel (Iron Fist) 33:00 • 7 Gariin (Nucleus-The New Settlement) 35:03 • Country: USA • Genre: Radical Jewish Culture, avantgarde, klezmer, noise • Year of release: 1993 • Format: FLAC (image + .cue) • Audio bitrate: lossless

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