The Complicated Legacy of Pulp Fiction











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Get Nebula using my link for 40% off an annual subscription: https://go.nebula.tv/broeydeschanel • Watch Taboo on Screen on Nebula: https://nebula.tv/taboo • People have turned on Pulp Fiction in recent years... why? • Thumbnail by Hannah Raine • Follow and support this channel: • Instagram:   / broey_deschanel   • Patreon:   / broeydeschanel   • Twitter: https://x.com/rehash_podcast • edited by ‪@BenFromCanada‬ •   / benchinapen   • SOURCES: • Lisa Coulthard, “Torture Tunes: Tarantino, Popular Music, and New Hollywood Ultraviolence,” Music and the Moving Image, Vol. 2, No. 2 (Summer 2009). • Todd F. Davis, and Kenneth Womack. “Shepherding the Weak: The Ethics of Redemption in Quentin Tarantino’s ‘Pulp Fiction.’” Literature/Film Quarterly, vol. 26, no. 1, (1998). • Pat Dowell and John Fried, “Pulp Friction: Two Shots at Quentin Tarantino’s “Pulp Fiction,” Cinéaste, Vol. 21, No. 3 (1995). • Todd Gilchrist, The Inside Story of ‘Pulp Fiction’: 20 Creatives Break Down Making the ‘Tarantinoverse’ Look and Feel,” Variety (2024). • William Grimes, “‘Forest Gump’ Triumphs With 6 Academy Awards,” The New York Times (1995). • Gary Groth, “A Dream of Perfect Reception: The Movies of Quentin Tarantino,” The Baffler, No. 8 (1995). • Wook Kim, “1995: ‘Pulp Fiction’ vs. ‘Forrest Gump’” Time (2013). • Anthony Lane, “Degrees of Cool” The New Yorker (1994). • Derek Malcolm, “Pulp Fiction” The Guardian (1994). • Janet Maslin “CRITIC'S NOTEBOOK; The Good, Bad and In-Between In a Year of Surprises on Film” The New York Times (1994). • Peter McAlevey, “All's Well That Ends Gruesomely” The New York Times (1992). • Adam Nayman, “Forrest Gump’ Won the Battle, but ‘Pulp Fiction’ Won the War,” The A.V Club (2019). • Mark Seal, “Cinema Tarantino: The Making of Pulp Fiction,” Vanity Fair (2013). • Chris Vognar, “He Can't Say That, Can He?” Transition, No. 112, Django Unpacked (2013). • Cynthia Young, “Other Side of a Badass Coin: Racial Doubling and Cultural Contestation in Quentin Tarantino’s “Pulp Fiction,”” Dispositio, Vol. 20, No. 47, Postcolonial and the Americas (1995).

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