Kurt Schwitters’ Ursonate – Klaus Obermaier amp Ars Electronica Futurelab 2015

>> YOUR LINK HERE: ___ http://youtube.com/watch?v=FvJu-hEsxxE

An audiovisual performance project by Klaus Obermaier, Christopher Lindinger and Ars Electronica Futurelab, featuring Barbara Vuzem. • Opening performance of Sound:Frame Festival 2015 – Festival for audiovisual expressions • MAK Museum of Applied Arts, Vienna / Austria. • facebook: / klaus.obermaier.works // website – http://www.exile.at • • URSONATE is part of HEAVY-HEADED / DADA-MINDED, a playful eccentric combination of real-time generated content, live manipulated sounds and dadaistic performance interventions: • Kurt Schwitters’ famous sound poem Ursonate (1923-32) gets transformed into an interactive dance performance. The audience can co-create the audiovisual environment by means of smartphones but also through bodily actions, or enter a walk-in tracking box to leave their virtualized heads as visual material. • Thereby Heavy-Headed / Dada-Minded not only lifts the boundaries between audience space and stage, but also blurs the traditional timeline of showtime and curtain call. • artistic direction, choreography and sound: Klaus Obermaier • performance: Barbara Vuzem • scientific direction: Christopher Lindinger • dramaturgy, text and research: Martina Mara • software development: Roland Aigner • technical direction: Roland Haring • video: Veronika Pauser and Claudia Schnugg • Part of the research project (St)Age of Participation, • supported by the Austrian Science Fund FWF, PEEK program, AR111 • Interactive Performance – Audiovisual Dance • #interactiveart #interactivedance #soundart #dance #choreography #interactive #music #liveelectronicmusic #videodance #audiovisual #dada #art #audienceparticipation

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