Super Mario Galaxy quotRosalina in the Observatoryquot Brass Quintet

>> YOUR LINK HERE: ___ http://youtube.com/watch?v=JDi6yzQxMb4

“Rosalina in the Observatory” from Super Mario Galaxy, composed by Koji Kondo (近藤浩治) and arranged for brass quintet by Allison Martin. • This track is part of our space-themed video game music album BRASS EFFECT available now! • 🌠 Get a digital or physical CD on Bandcamp! https://thegamebrass.bandcamp.com/alb... • 🎧 Listen on Spotify! https://open.spotify.com/artist/7LOuy... • 🍎 Find us on Apple Music! / the-game-brass • 😀 We have a Discord server; come hang! https://discordapp.com/invite/vkMjDrJ • • 🎺 Subscribe for more Brass Quintet covers! http://bit.ly/sub2gamebrass • 🐦 Talk to us on Twitter! / thegamebrass • 🔵 Like us on Facebook! / thegamebrass • 📸 Follow us on Instagram! / thegamebrass • 🌐 Visit our website! http://www.thegamebrass.com/ • 📬 For business inquiries: [email protected] • Featuring... • 🎵 Allison Martin: Arrangement, Claves, Shaker • [ / @allisonmartin ] • The Game Brass: • 🎵 John Robert Matz: Trumpet • [http://www.johnrobertmatz.com] • 🎵 Robby Duguay: Trumpet, Video • [http://www.robbyduguay.com] • 🎵 Danny Flam (From ConSoul Big Band): French Horn • [ / consoul ] • 🎵 Daniel Romberger (DannyMusic): Trombone, Video • [ / dannymusic ] • 🎵 Alex Hill (WarTubaFox): Tuba • [ / wartubafox ] • 🎵 Thomas Kresge: Mix, Video, Hand With Wiimote • [https://www.kresgemusic.com/] • 🎵 Henry Faber: Logo Design • [ / henryfaber ] • Watch more game soundtrack covers performed on brass here: • Game Music on Brass Instruments • Notes from Allison about this arrangement: • Though “Gusty Garden Galaxy” is often credited as the takeaway title of “Super Mario Galaxy,” I always felt a kinship with “Comet Observatory.” It’s a constant companion as we play through the game, and as the story progresses, the instrumentation subtly changes into something more grandiose. In my own arrangement, I wanted to include several musical styles to capture that feeling of evolution from the original track. I made sure to give each instrument as many interesting and integral melodies as I could, including a lovely tuba solo during the Bossa nova section. Counter-rhythms are also a large part of my arranging, and they make a grand appearance for the final section of the piece. Most importantly, I wanted a sense of a journey—a kind of narrative that spans the entire arrangement and feels connected overall.

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