Airwindows Slew3 MacWindowsLinux AUVST

>> YOUR LINK HERE: ___ http://youtube.com/watch?v=JoQbPiQ1l0s

A Chris's work is never done! Or at least it's not, when it comes to refining basic tonal building blocks that apply to many plugins. It's just recently that I updated Capacitor with an analog behavior found (quite strikingly) in certain real-world capacitors. I'm at it again. • This makes a third Slew plugin, and every one is strikingly different. Slew (original) darkens radically and makes a grungy, clipped tone (it's in Channel, too, very subtly). Slew2, though there are some similarities in code, acts wildly different: it produces an intense rolloff that is only right up at the Nyquist frequency, and is an elegant anti-glare solution, but barely has a tone at all. • Slew3 uses ideas from Acceleration and DeBess to produce a slew clipping that's actually reading information beyond what the samples provide: it's like it reconstructs the wave a bit and is most effective where you'd get intersample peaks. It's NOT an EQ: it has very striking dynamic qualities. It's not a pure 'glare cutter' like Slew2, either: there's a limit to how much it will darken. But what it's all about is producing an analog top-end on your digital content. • This is an experimental plugin. In development, some of my audio caused it to freak out, and it took extra time to get it to behave (I suppose I could also put out the freak-out version but for now let's stay safe, OK?). It's not quite linear or predictable (neither is real analog) and though I feel like it might have some very serious mojo to bring, I'm also interested in whether it dies given certain kinds of audio. I'm pretty sure I have it tamed to where it won't do anything crazy, but is it really the silver bullet? I guess we'll find out together. • http://www.airwindows.com/slew3/ • / airwindows

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