Review Demo Peavey Classic 30
>> YOUR LINK HERE: ___ http://youtube.com/watch?v=NYf29rz0VHU
Read the review: http://www.premierguitar.com/articles... • My first encounter with a Peavey Classic tweed style combo was in the ’90s, when North Mississippi hill country blues deacon R.L. Burnside invited me onstage for the first time. R.L. decided to preach “Mannish Boy,” so he offered me his amp and stepped to the front with his Jack and Coke in hand, to stand at the mic. When I hit a test chord, the floor of the stage shook. I turned to see that R.L. had every dial on the amp maxed. I rolled back my tone and volume pots and hit another chord. I was impressed by the Peavey Classic’s power, color, and presence—even at R.L.’s juke-thentic settings. • Over the years, I’ve maintained a favorable impression of Peavey’s Classic series iterations. They’re dependable working players’ amps: affordable, big-voiced, with enough clarity and punch to break through a live mix with or without the help of microphones. • The all-tube Classic 30 is the newest steed in this line of workhorses. Thirty watts are generated via the heat of seven tubes—three 12AX7s and four EL84s—that are protected by a steel cage. Two of the 12AX7s push the preamp and the third compliments the EL84s in the power section. The amp has two channels—in the Peavey Classic tradition—and an op amp driven spring reverb, which is situated at the bottom of the cabinet beneath a Celestion Midnight 60-watt speaker. A footswitch for channel switching and boost is included, though it can’t be used for the reverb, which is also foot-switchable and requires a second footswitch. • To continue reading the review, visit: http://www.premierguitar.com/articles...
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