Elizabethan music for Shakespearean scholars 2 hours











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In the Elizabethan era, instrumental and vocal music thrived, with significant developments in form, structure, and harmonic exploration. The madrigal, an a cappella vocal music form, was particularly celebrated for its intricate polyphony and expressive text settings, reflecting a blend of Italian influence and English tradition. Instrumental music featured prominently, with the virginal and lute being the most popular instruments, leading to the creation of variations, fantasies, and dances such as pavanes and galliards. These compositions often featured elaborate ornamentation and were played in consort or as solo pieces. • If you enjoyed this video please like and subscribe! • Timestamps: • 00:00 - John Dowland - M. George Whitehead his Almand • 1:09 - John Dowland - Mistress Nichols Almand • 1:45 - John Dowland - The King of Denmark's Galliard • • 3:01 - John Dowland - Come Again, Sweet Love doth Now Invite • 5:08 - John Dowland - Can she excuse my wrongs? • 8:46 - William Byrd - Nightingdale • 10:49 - Thomas Morley - Now is the Month of Maying • 12:29 - Greensleeves • 13:39 - John Dowland - Flow my tears • 16:55 - William Byrd - Civitas sancti tui • 21:39 - William Byrd - Wounded I am • • 28:53 - Sumer is icumen in/Now is the Month of Maying/My Bonny Lass She Smileth/I thought that love had been a boy • 34:23 - Orlando Gibbons - The silver swan • 35:27 - Anthony Holborne - The honie suckle and Night watch • 38:37 - John Bull - Queen Elizabeth's Pavan • 44:17 - John Dowland - Mistress White's choice • 45:22 - John Dowland - Lord Willoughby's Welcome Home • 47:04 - John Farmer - Fair Phyllis I saw • 48:29 - John Bennet - Weep, o mine eyes • 51:03 - Thomas Weelkes - As Vesta was from Latmos hill descending • 54:55 - Where the Bee Sucks • 55:49 - Robert Johnson ballet • 57:12 - John Dowland - Fortune my foe • 59:15 - Wilson - Take, O take those lips away • 1:00:40 - How Should I Your True Love Know • 1:02:23 - Francis Cutting - Walsingham variations • 1:05:16 - When griping griefs • 1:08:10 - Caleno custure me • 1:11:14 - Then they for sudden joy did weep • 1:12:31 - John Dowland - Can she excuse my wrongs? • 1:16:43 - Thomas Morley - For Three Viols • 1:18:14 - John Bartlett - Of All The Birds That I Do Know • 1:20:15 - Robert Johnson - For Harpsichord • 1:21:33 - John Dowland - If My Complaints Could Passions Move • 1:25:58 - John Jenkins - Pavan For Four Viols • 1:31:56 - Thomas Campian - I Care Not For These Ladies • 1:33:39 - John Dowland - My Lady Hundson's Puffe • 1:34:41 - Robert Parsons - Pandolpho • 1:42:07 - John Jenkins - Fantasia In C For Four Viols • 1:47:06 - John Dowland - From Silent Night • 1:52:27 - Giles Farnaby - Variations For Harpsichord On Up Tails All

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