Youtor
The Beatles One After 909 Full Band Cover Guitar Cover
>> YOUR LINK HERE: ___ http://youtube.com/watch?v=QO6-J8XMnM4
The Beatles and Billy Preston rocked this one out at the Rooftop Concert! The song starts off with John and George playing “train horns” in unison, with John at a lower position on the neck and George up at the 7th fret. George’s Telecaster screamed out blazing licks and a mean solo full of bends and double stops. The clarity of the Tele blows me away! During the first verse, he turns down his volume knob and then turns it back up for the remainder of the song. John keeps a solid rhythm on his sanded Epiphone Casino, fairly distorted by the Fender amp, and sticks to hammering out beats 2 and 4 during the bridges. Both guitars in my video were recorded with a condenser microphone about a foot away from the amp, in between the two speakers, just as the Rooftop Concert. • Support the channel on Patreon: / mattiboo • Feel free to tip if you enjoyed the video: https://www.paypal.com/donate/?hosted... • Paul’s bass starts with a consistent rock pattern but then “weaves” in between the drums while leading into notes later in the song. During the solo, Paul no longer had to sing and could focus exclusively on his bass playing, laying down a groovy line with pull offs and bouncy notes. In my cover, a Hofner 500/1 and Garageband’s Silverface Bassman virtual amp nail Paul’s slightly distorted sound from the Rooftop. Billy Preston’s Fender Rhodes electric piano compliments George’s guitar licks with major blues style chord vamps and octave runs. Billy also adds a fast octave lick to finish the song! Ringo plays a basic rock drum beat, but throws in a twist by opening and closing his hi-hats with the beat, creating a washing effect. I recorded the drums with the overhead mic in front of the kit, slightly above the rack tom, just as Ringo did in the Rooftop Concert. • There are some interesting points to mention on the mixing. Due to the Rooftop environment the Beatles recorded One After 909 in, there is some noticeable slapback delay on the drums and George’s guitar that was probably caused by an echo from a wall. I set the delay in my recording as 40 ms for George and 65 ms for Ringo. There are slight differences in the two channels for the drums: the right channel is fairly dry with only a little reverb and the left channel has a more prominent reverb, especially on the “ba-dum” snare hits when all of the other instruments cut out in the verses. This reverb sounds to me to be plate reverb, likely the EMT 140. The left channel of George’s guitar also has much more reverb than the right. • Instruments Used: • George Harrison Lead Guitar: 2016 Fender American Standard Telecaster Surf Green w/ Rosewood Neck • John Lennon Rhythm Guitar: 2001 Epiphone Casino (Peerless) • Paul McCartney Bass: Hofner 500/1 '62 Reissue Violin Bass • Ringo Starr Drums: Gretsch Catalina Club Classic and Sabian SR2 Cymbals • Billy Preston Electric Piano: Garageband Fender Rhodes • Amp: 1995 Fender Custom Vibrolux with Eminence GA10 SC64 George Alessandro Signature speakers
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