Naski Reunion Suite Reunion EP

>> YOUR LINK HERE: ___ http://youtube.com/watch?v=T29X8XGDvoI

»Follow our Spotify Playlist: • https://sptfy.com/4IbT • You can find all music of our squad there! • »Follow Naski: • Spotify: https://spoti.fi/2HvZSW8 • Soundcloud: https://bit.ly/2weZZ1E • Instagram: https://bit.ly/2Er0RVx • Facebook: https://bit.ly/2WYYMax • »Follow Seven: • Fanlink: https://fanlink.to/7seven • Spotify: https://sptfy.com/4IbT • Instagram: https://bit.ly/2YqcYsY • Soundcloud: https://bit.ly/2YoVWeW • Youtube: https://bit.ly/2mo0KDZ • Facebook: https://bit.ly/2UEiuHt • Contact: [email protected] • _________________________________________________________________ • Reunion EP by Naski: • Tracklist: • 1. INFINITY - 1:45 • A variation of intro of „The Void” originally released on the „Synesthesia” music producers compilation in 2018. • 2. FALL - 2:08 • An unreleased track. Started as a trap collaboration with Rei, ended as a complete cinematic theme. • 3. HOME - 1:38 • First idea and an association with that feelings in this track. • Sound of the main lead/synth in the drop was taken from Porter Robinson’s song called home. • Originally created by me, pushed by blanku. • „When all has gone” with some fixes and a little pre-drop part. • 4. HUNT - 1:47 • Remastered „Obława” changed into a dynamic hunting theme at the end ;) • 5. CONFLICT - 1:29 • Orginally a hard dubstep track „Stereotypes” created to show how dubstep can also sounds. • Conflict between new school and old school. • Swapped and changed some structure of the song. • Co-produced with L.E.O. • 6. REUNION SUITE - 8:17 • All tracks together • INFO ABOUT REUNION: • When I was starting my adventure with music production in 2011, I didn’t expect where this would take me. Every year I was opening myself to completely different genres, even if they were not matching with each other in terms of style. • As a mainly dubstep producer, in 2014 I opened myself to dance genres, and at the end of 2015 I was creating mostly trap-like sounds (trap, future bass, wave etc.). • It was the first time I decided to experiment and leave heavy basslines to some „classic” sounds of live instruments - they were my main focus in this short form. I want to present You 5 tracks - some of them are variations of my older tracks, some of them are totally new ideas or fresh thoughts implemented to my previous projects. • The creation process was a fascinating adventure - everything was created entirely on the computer, live instruments are mostly real sound samples recorded in various techniques in the studio. • Each sound is transferred to a MIDI map (staff) a and it was gathered together and processed through the program called: KONTAKT. • Some of the sounds have been manually tuned from individual samples by auto-tune programs (including not only vocals, but also other sounds). Unusually, the classing sounds of synthezizers, which were used in every track, are only „visible” in two of them. • They play the role of a background, a layer that add missing frequencies or even equalizes the band and deficiencies of individual instruments. Very often they are not visible for unaware listener, who would unlikely guess that they occur. That was the main goal - the key to these songs is the concept of a „layer”. In my opinion, this is one of the most important techniques in music production - something that is not an independent sound but creates a background and juicy/beef sound. • Why is it all so complicated? The answer is simple: I don’t have an exclusive symphony orchestra. I treat this experience as a groundbreaking experience and a new chapter for me - I have learned a lot and want to show that you don’t need expensive equipment or musical education to make any genre of music. Your will and listening skills are the only things needed. I hope it encourages you to check my other music and at the end you will appreciate Naski - a producer from drills and dubstep :)

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