SWITCHING FROM SOPRANO TO ALTO transposing

>> YOUR LINK HERE: ___ http://youtube.com/watch?v=T2Kwhzn2z4c

Recorders come in a range of different keys, and for recorder players that means: TRANSPOSING! Or, learning a new set of fingerings and reading the music in a different way, depending on the recorder you are playing. • But how? Why? Which keys will I encounter? How can I tackle this seemingly monumental task? I will try and explain everything and give you some hints and tips for easier transposition! • ////// • SUPPORT TEAM RECORDER ON PATREON • A small monthly donation to Team Recorder will help this channel to grow, and you get great rewards too! • / teamrecorder • Note: Recorders come in different tunings too (442 Hz modern pitch, 415 Hz baroque pitch etc) - and these do not need to be transposed, they will just sound higher or lower :) • Resources mentioned: • 'Altblockflötenreise' by Daniel Hellbach • 'Der Fluyten Lust Hof' by Jacob van Eyck • Renaissance consort music can be downloaded for free at www.imslp.org • In this video I play on a 440 soprano by Yamaha (mine sounds more like 438, haha), a 440 G alto by Stephan Blezinger, a 440 F alto by Yoav Ran, and a 415 voiceflute by Tim Cranmore. • Oooh SUBSCRIBE to my channel for weekly videos on all aspects of recorder playing! I love to hear from you guys too, so leave me a comment, and tell me if you have a request for a video. • ------ • Website: www.sarahjeffery.com • Twitter/Instagram @sockmyshoe • Go #teamrecorder

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