George Antheil Little Shimmy
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George Antheil - Little Shimmy (1923) • Fausto Bongelli, piano • Playlist: • • FOR CHILDREN for piano • • SHORT PIECES for Piano • • DANCES for piano • George Antheil, in full Georg Johann Carl Antheil, (born July 8, 1900, Trenton, N.J., U.S.—died Feb. 12, 1959, New York City), American composer known for his ultramodern music in the 1920s. • Antheil studied with Ernest Bloch in New York. In 1922 he went to Europe, gave piano recitals, and became prominent in the literary and artistic circles of the Parisian avant-garde. Antheil’s most celebrated work, Le Ballet mécanique, scored for player pianos, automobile horns, electric bells, and airplane propellers, produced a hostile outcry in Paris (1926) and New York (1927); on its revival in 1954 it was considered fairly tame. In 1936 Antheil moved to Hollywood and subsequently produced many film scores, among them Tokyo Joe (1949), Angels over Broadway (1940), and Fighting Kentuckians (1950). After about 1939 he abandoned the avant-garde style for a mixture of Classicism, Romanticism, and Impressionism. His other works include eight symphonies; the ballet Capital of the World (1953); chamber music; and the operas Transatlantic (1930), Helen Retires (1934), Volpone (1953), and The Wish (1955). He wrote an autobiography, Bad Boy of Music (1945). • George Antheil , il nome completo è Georg Johann Carl Antheil , (nato l'8 luglio 1900, Trenton , NJ, USA — morto il 12 febbraio 1959, New York City), compositore americano noto per la sua musica ultramoderna negli anni '20. • Antheil ha studiato con Ernest Bloch a New York . Nel 1922 andò in Europa, tenne recital per pianoforte e divenne prominente nei circoli letterari e artistici dell'avanguardia parigina . L'opera più celebrata di Antheil,Le Ballet mécanique , scritto per pianoforti, clacson, campanelli elettrici ed eliche di aeroplani, produsse una protesta ostile a Parigi (1926) e New York (1927). Nel 1936 Antheil si trasferì a Hollywood e successivamente produsse molte colonne sonore, tra cui Tokyo Joe (1949), Angels over Broadway (1940) e Fighting Kentuckians (1950). Dopo il 1939 circa abbandonò lo stile d'avanguardia per un misto di classicismo, romanticismo e impressionismo. Le sue altre opere includono otto sinfonie; il balletto Capitale del mondo (1953); musica da camera; e le opere Transatlantic (1930),Helen va in pensione (1934), Volpone (1953) e Il desiderio (1955). Ha scritto un'autobiografia, Bad Boy of Music (1945).
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