EEMAYAU 2018 Movie Analysis

>> YOUR LINK HERE: ___ http://youtube.com/watch?v=W4tOsJCttaU

EE MA YAU is the story of epic descent from a frame full of life to the entry of Death into the frame. This essay will talk about how Death enters the frame in full form, i.e., morally, culturally and materially after we see it physically in the first act of the film. • Directed by Lijo Jose Pellissery, Ee.Ma.Yau observes the life and death of Vavachan, a man with high reputation in the Catholic circles of Chellanam, Kerala. The film is excellent in constructing an intense atmosphere and becoming a larger-than-life tragedy. • Chapters • (0:00) - One breathtaking frame • (2:40) - Prologue • (3:25) - Chapter One • (4:59) - Chapter Two • (5:43) - Chapter Three • (6:42) - Chapter Four • (7:28) - Chapter Five • (8:50) - How Death Enters the Frame • Connect with me! • Twitter - / survesvanik • Tumblr - https://www.tumblr.com/blog/thesuavec... • Facebook - / svanik.surve.12 • The Suave Critic Video Essays consist of analysis videos on your favourite Indian and World Arthouse Films that are predominantly focused on shedding light on the morality, art and language of filmmaking. The biggest observation made by us is that most of the video essays today borrow a lot of style from the films in the discussion, instead of focussing on producing a thought-provoking experience through a personal style. A lot of other essays are too fast and detached from the form of good filmmaking. The Suave Critic believes that the video essay is as much of an art as the film it is on. • Svanik Surve is a film student who is passionate about Deleuzian film analysis and atmospheric filmmaking that slows down this fast-paced world and introduces thought into the frame. • tags: lijo jose pellissery, antony varghese, malayalam movie, Chemban vinod

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