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Lecture Marta Kowalewska Turning PointsTapta in the International Biennial of Tapestry in Lausann
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Tapta: Flexible Forms • Online Symposium • Held on 5 October 2024 • Lecture: Marta Kowalewska • Turning Points: Tapta in the International Biennial of Tapestry in Lausanne • The lecture focuses on Tapta’s pivotal role in redefining textile art, particularly through her participation in the Lausanne International Tapestry Biennial. It examines how Tapta moved beyond traditional tapestry techniques, exploring new materials like sisal, ropes, and later, rubber, to create interactive spaces and sculptures. Special attention is given to her works like The Wild One and Forms for a Flexible Space, which transformed textiles into immersive environments. The lecture highlights Tapta’s evolving artistic language, emphasizing her shift from decorative elements toward minimalist, industrial forms, and her continuous pursuit of material-driven creativity. • #MartaKowalewska is an art historian and critic, curator of exhibitions, and author of texts on art. As chief curator at the Central Museum of Textiles in Łódź (CMWŁ), she curated the 16th and 17th International Triennials of Tapestry and led the curatorial team, which developed CMWŁ’s anniversary exhibition Departments Open / Departments Closed. Marta has also co-curated various Polish and international exhibitions, including: The Work That Textile Does, Metamorphism: Magdalena Abakanowicz (CMWŁ), 100 Flags for the Centenary of Women’s Suffrage (CMWŁ), Antoni Starczewski: The Idea of Linear Notation (CMWŁ), THREADS OF A NEW SPIRITUALITY – Kosmos Project (Milan), and We Are Textile Culture Net! (Hong Kong). She is a co-author of the book From Tapestry to Fiber Art: The Lausanne Biennials 1962–1995, and also edited the book Magdalena Abakanowicz: Metamorphism; Textile Textures, Multi- threaded Narratives and co-edited Weave Ideas, Antoni Starczewski: The Idea of Linear Notation, and Splendour of Textiles. • #Tapta (pseudonym of Maria Wierusz-Kowalska, born Maria Irena Boyé) was born in Poland in 1926 and came to Belgium as a political refugee with her husband, Krzysztof Wierusz-Kowalski, after taking part in the Warsaw Uprising of 1944. She studied weaving at the La Cambre National School of Visual Arts, Brussels, from where she graduated in 1949. Shortly afterwards, the couple moved to the Belgian Congo (now the Democratic Republic of Congo), where they lived from 1950 to 1960. After returning to Belgium, Tapta swiftly established herself as an important member of a new generation of artists who sought to redefine sculpture by using textiles and other flexible materials as sculptural elements. In doing so, she simultaneously took textile art beyond the categories of the decorative arts and crafts. She had her first solo exhibition in 1966 at the Galerie Les Métiers in Brussels, after which her work was shown in major exhibitions in Belgium and abroad, including at the 4th International Biennale of Tapestry in 1969 in Lausanne. This exhibition, in which her work was displayed alongside those of Magdalena Abakanowicz, Jagoda Buić, Elsi Giauque and Sheila Hicks, encouraged her to continue along the path of unconventional experimentation with textiles.In the 1980s she quite radically changed her materials from woven textiles and cords to neoprene. With this industrially produced rubber she created large black installations that, however, still represent her idea of ‘flexible sculpture’. Tapta died unexpectedly in 1997, just as her native Poland was discovering her work at a major solo exhibition at the Zachęta National Gallery of Art in Warsaw, and her monumental sculpture Esprit Ouvert near Brussels North Station had just been inaugurated. • Subscribe to our channel and visit us at: https://www.muzeumsusch.ch/ • Muzeum Susch on Facebook: / muzeumsusch • Muzeum Susch on Instagram: / muzeumsusch • Muzeum Susch on TikTok: / muzeumsusch
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