Youtor
मुसाफिर 1957 Full Movie Musafir Dilip Kumar Kishore Kumar Suchitra Sen
>> YOUR LINK HERE: ___ http://youtube.com/watch?v=f7nbxWI1alg
Musafir, 1957 • Director: Hrishikesh Mukherjee • Music: Salil Chowdhary • Lyrics: Shailendra • Playback: Kishore Kumar, Lata Mangeshkar, Manna Dey, Dilip Kumar • Cast: Dilip Kumar, Usha Kiran, Nirupa Roy, Nasir Husain, Kishore Kumar, Suchitra Sen, Shekhar, Sulochana Sen, Raj Shekhar, Mohan Choti, Bipin Gupta, Daisy Irani, Rashid Khan, Durga Khote, Paul Mahendra, Keshto Mukherjee, Hira Sawant • Anu has created from scratch subtitles for Musafir, a film I don't think has even been subtitled before. Those of us not speaking or understanding Hindi owe her a huge debt of gratitude. • Many thanks to Aparna for providing the source files for this project. • The Encyclopedia of Indian Film says this about Musafir: • The experienced editor Mukherjee’s directorial • debut constituted an important attempt to carve • out a viable independent production sector in • the Hindi cinema at the time. The film was • made by a loose collective of mainly Bengali • film people, including Ghatak and composer • Choudhury who shared a background in • radical theatre and were in Bombay mainly • through Bimal Roy’s patronage. Many of them • worked together again on Madhumati (1958). • Set in an old suburban house, presumably in • Calcutta, the film narrates three tenuously • related Chekhovian stories about three sets of • the house’s occupants. The first has the Bengali • star S. Sen as an orphaned young woman, • Shakuntala, who desperately wants her • husband Ajay (Shekhar) to make up with his • estranged parents so that she may belong to a • family once more. The second story has a • wayward young man, Bhanu (K. Kumar), • desperate to find a job to support his aged • father (Hussain) and his widowed sister-in-law • (N. Roy). The third and longest story focuses • on the shadowy figure of a neighbourhood • ‘madman’ (D. Kumar) who crops up in the • previous stories as well. He was in love with • Uma (Kiron) who lived in the house but • disappeared just before their wedding day. In • the end, the madman’s death and the • miraculous recovery of Uma’s paralysed son • coincide. The stories invoke a cyclical • sequence of marriage, birth, death and rebirth, • enhanced by Choudhury’s score and some • remarkable camerawork. • #OldHindiMovie #ClassicHdMovie #SuperhitClassicMovie #DilipKumar #MalaSinhaMovie
#############################
