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May December and the Melodrama of Film Twitter
>> YOUR LINK HERE: ___ http://youtube.com/watch?v=f7yoK1Eyvt0
Park Chan-wook's THE HANDMAIDEN is streaming on MUBI in Canada and many other countries. Get a whole month of great cinema FREE: https://mubi.com/broeydeschanel • Follow and support the channel! • Patreon: / broeydeschanel • Instagram: / broey_deschanel • Twitter: / deschanelbroey • Sources: • Marianne Boruch, “Melodrama” Poetry, vol. 203 (3) (2013). • Peter Brooks, The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess, Yale University Press (1995). • Roger Ebert, “Written on the Wind” rogerebert.com (1998). • Marcie Frank, “At the Intersections of Mode, Genre, and Media: A Dossier of Essays on Melodrama” Criticism, vol.55 (4) (2013). • Dave Kehr, “Written on the Wind” Chicago Reader (1985). • Michael Koresky, “May December” Reverse Shot (2023). • John Mercer and Martin Shingler, Melodrama: Genre, Style and Sensibility, Wallflower, London (2004). • Andrew Ross, No Respect: Intellectuals and Pop Culture, Taylor Francis (2016). • Thomas Schatz, Hollywood Genres, Random House, New York, (1981). • Ben Singer, Melodrama and Modernity: Early Sensational Cinema and Its Contexts, Columbia University Press, New York (2001). • Amy Taubin, ““I like feeling uncertain, displaced and unnerved”: Todd Haynes on May December” Sight Sound (2023). • Linda Williams, “Something Else Besides a Mother”: Stella Dallas and the Maternal Melodrama” Vol. 24, No. 1 (1984). • Augustin Zarzosa, “Melodrama and the Modes of the World” Discourse, vo. 32 (2) (2010).
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