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THE MEKONSJOHN PEEL SESSION 1978PLEASE LIKE AND SUBSCRIBE ITS FREE
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------------------------------------------- • WHY NOT SUPPORT YOUR YOUTUBE CHANNEL BY BUYING ME A COFFEE AT • Ko-fi.com/punkrocknineteenseventies • ------------------------------------------------------------ • CHECK OUT YOUR YOUTUBE CHANNEL / @punkrockuk1970s AND LIKE AND SUBSCRIBE, IT'S ALL FREE. • -------------------------------------------------------------- / @punkrockuk1970s • BEFORE YOU START READING PLEASE CAN YOU LIKE AND SUBSCRIBE TO MY CHANNEL. IT WILL HELP GETTING MORE CONTENT TO THE CHANNEL, ENJOY. • The Mekons are a British band formed in the late 1970s as an art collective. They are one of the longest-running and most prolific of the first-wave British punk rock bands.[2][3] • The band's style has evolved over time to incorporate aspects of country music, folk music, alternative rock and occasional experiments with dub.[4] They are known for their raucous live shows.[5] • History • The band was formed in 1976 by a group of University of Leeds art students: Jon Langford, Kevin Lycett, Mark White, Andy Corrigan and Tom Greenhalgh—Gang of Four and Delta 5 formed from the same group of students.[6] They took the band's name from the Mekon, an evil, super-intelligent Venusian featured in the British 1950s–1960s comic Dan Dare (printed in the Eagle). The Mekons were described as a more chaotic version of Gang of Four; Lycett stated the band operated on the principle that anybody could do it ... anybody could get up and join in and instruments could be swapped around; that there'd be no distance between the audience and the band. [6] • By their second show, supporting the Rezillos at the F Club, they were approached with a record deal by Bob Last of Fast Product. The Mekons were the first band signed to the label. The band's first single was Never Been in a Riot , a satirical take on the Clash's White Riot. The release was made Single of the Week in NME.[6] Their second single, Where Were You? was released by the end of 1978 and sold out of its 27,500 copies. At this time, Last convinced the band to sign to a larger label—Virgin. The Mekons’ popularity peaked as they played on the same bill as other new music groups like Gang of Four, the Fall, the Human League, and Stiff Little Fingers.[6] • For several years the band played noisy, bare-bones post-punk, releasing singles on a number of labels. The Mekons' first album, The Quality of Mercy Is Not Strnen, was recorded using Gang of Four's instruments, and due to an error by the Virgin Records’ art department, featured pictures of Gang of Four on the back cover.[7][additional citation(s) needed] After 1982's The Mekons Story, a compilation of old recordings, the band ceased activity for a while, with Langford forming The Three Johns. Corrigan became a tour manager for many years before founding a company that provides visa and immigration services specialising in the entertainment industry. [citation needed] • By the mid-1980s (revitalised by the 1984 coal miners' strike) the Mekons had returned as an active group. The band was now augmented by vocalist Sally Timms, violinist Susie Honeyman, ex-Damned member Lu Edmonds, accordionist/vocalist Rico Bell (a.k.a. Eric Bellis), and former The Rumour drummer Steve Goulding. They began to experiment with musical styles derived from traditional English folk (tentatively explored on the English Dancing Master EP prior to the hiatus), and American country music. Fear and Whiskey (1985), The Edge of the World (1986) and The Mekons Honky Tonkin' (1987) exemplified the band's new sound, which built on the innovations of Gram Parsons and blended punk ethos and left wing politics with the minimalist country of Hank Williams. Subsequent albums, such as The Mekons Rock 'n Roll, continued to experiment with diverse instrumentation (notably the fiddle, accordion, slide guitar, and saz)
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