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Erik Satie 1917 Sonatine Bureaucratique
>> YOUR LINK HERE: ___ http://youtube.com/watch?v=kME63-dByPQ
Satie closely modelled his Sonatine about a day in the life of a bureaucrat, on Clementi's Sonatina in C Op.36 no 1 ( • Clementi: Sonatina in C major, op. 36... ). Here Satie returns to barlines, rests and key signatures for good (after their occasional use in works like the Enfantines ). • It was the nearest Satie came to pastiche, as well as an early example of quirky neo-classicism, which Stravinsky and the composers of Les Six soon adopted. • The marking Vivache (sic) for the Finale is a typical Satie joke. The passages in parallel fourths and fifths (like bars 33-36, 98-99 for the Finale) feature increasingly in Satie's later works. • pf: Jean-Yves Thibaudet • 0:00 - 1. Allegro • 0:55 - 2. Andante • 1:55 - 3. Vivache • « Écrite sur des thèmes empruntés à Clementi. • Un simple prêt, pas plus... • Il ne faut voir là qu'une boutade - • toute petite. • Oui... Elle ne veut nullement attenter à la • réputation et à l'honorabilité dudit Clementi. » • If you wish, you can show your appreciation by offering me a virtual coffee at: • https://ko-fi.com/eriksatie1866
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