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Scheidemann Canzon in G Leiden Pieterskerk
>> YOUR LINK HERE: ___ http://youtube.com/watch?v=m7pZmiTuxRU
Heinrich Scheidemann (ca. 1595-1663) • Canzon in G • Played on the organ of Pieterskerk, Leiden • Heinrich Scheidemann studied in Amsterdam with Jan Pieterszoon Sweelinck, and became one of the key figures of the North German organ style. According to Mattheson (1740): Scheidemann ging mit jedermann frey und frölich um. ... Sein Spiel war eben der Art; hurtig mit der Faust; munter und aufgeräumt; in der Komposition wohl gegründet . [“Scheidemann…mixed with everyone freely and joyfully. ... His playing was just that way; nimble with the hand; spirited and cheerful: well grounded in composition.”] • The Canzon in G seems to suit Sunday Laetare well. • ----- • In this series, every day we present one variation from Johann Ulrich Steigleder's 40-part cycle Vater Unser in Himmelreich , forming a calendar for the 40-day Lent period. Traditionally, Sundays are not included in these 40 days: a chance to present related music in this vlog . • ----- • In 1627, Johann Ulrich Steigleder published his Tabulaturbuch Das Vater Unser , containing no less than 40 variations on the Lutheran chorale Vater Unser im Himmelreich , Luther's hymn based on The Lord's Prayer: a rather forgotten milestone in keyboard literature. • The forty days before Easter have always been special to the Christian church. For many, this so called Lent period is a time of religious observance, fasting, or daily prayer and meditation. By presenting Steigleder's 40 variations as a Lent calendar vlog series, music lovers are invited to join a meditational journey through the rich world of 17th century music, unique historical organs and timeless beauty, leading to a hopeful Easter 2021. • Audio recording: Koen van Andel, many thanks! • Many thanks to the Pieterskerk Leiden team for their hospitality. • Instrument: The great organ of Pieterskerk Leiden was completed in 1643 by father and son Van Hagerbeer, using elements of the previous instrument. Between 1994 and 1998 again a major restoration took place, conducted by Verschueren. The organ was reconstructed, without any compromise, in its 17th-century state, including the huge Mixtures of the Great (originating in the Blokwerk tradition), with its very particular compass, starting at F contra. • Stop list: • Hoofdwerk: • Prestant 24’ • Prestant 12’ • Bourdon 16’ D • Octaaf 6’ • Mixtuur IV-VIII • Groot Scherp VI-X • Klein Scherp IV-VIII • Trompet 12’ D • Rugwerk: • Prestant 8’ • Quintadeen 8’ • Prestant 4’ • Holpijp 4’ • Superoctaaf 2’ • Quintanus 1 ½’ • Sifflet 1’ • Mixtuur III-VIII • Scherp IV-VI • Sesquialtera D • Cornet V • Schalmei 8’ • Tremulant • Bovenwerk: • Prestant 8’ • Holpijp 8’ • Quintadeen 8’ • Octaaf 4’ • Superoctaaf 2’ • Gemshoorn 2’ • Nasard 1 ½’ • Sifflet 1’ • Tertiaan • Sesquialtera D • Trompet 8’ • Vox Humana 8’ • Tremulant • Pedaal: • Octaaf 8’ • Octaaf 4’ • Trompet 16’ • Trompet 8’ • Couplers: • HW-RW B/D • Ped-HW (permanent) • Pitch: 417 Hz Temperament: Meantone • https://www.laurensdeman.nl
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