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Phill Niblock The Movement of People Working Part A
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In loving honor of the late Giant of Intermedia and Master of Minimalism, Rest in Peace Phil Niblock (October 2, 1933 – January 8, 2024) • part b: • Phill Niblock - The Movement of Peopl... • The Movement of People Working by Phill Niblock is a huge cinematic-musical monument. More than 25 hours of film, shot since 1973, initially on 16 mm colour film, later with video and digital technology in Peru, Mexico, Hungary, Hong Kong, Brazil, Lesotho, Portugal, China and Japan, on Sumatra and in the Arctic. Films that show nothing more than manual labour. Documentary, extremely minimalist editing, Niblock presents people in their daily activities and tasks. Hammering, sawing, grinding, harvesting, dyeing, fishing, and much more - work in its most elementary form. Phill Niblock's minimalist and monumental compositions with their slowly unfolding microtonal drones belong to this film material. Multiple layers of sound material create a continuum of sonic movement and pulsations with an extremely dense texture. • These films include compositions by Phill Niblock. With their slowly unfolding microtonal drones created by multiple layers of sound material, they are – like the films – extremely minimalist. A continuum of sonic movement and pulsations with a dense inner texture. Music and films can be freely combined. Niblock is concerned with a free interplay of film and music that leads to ever new juxtapositions of image and sound. • films shot by Phill Niblock (Mexico Peru 1973-74 / Hong-Kong 1978 / Hungary 1985) and works composed by Phill Niblock (1975-83). • Film-A1 Sur Dos (Peru) 25:14 • Film-A2 Trabajando Una (Mexico) 22:39 • Film-A3 Sur Una (Mexico) 25:05 • Film-A4 Trabajando Dos (Mexico) 23:56 • • Music-A1 - ... Every Tune (Clarinet – Daniel Goode) 22:48 • Music-A2 - Summing III (Cello – David Gibson) 31:28 • Music-A3 - Four Arthurs (Bassoon – Arthur Stidfole) 22:29 • Music-A4 - E For Gibson (Cello – David Gibson) 22:25 • Films processed and printed by Joe David at J D Film Labs, New York. • Transfers to video (Digital Beta) at Gun For Hire Post, New York. • The music in the pieces 1 through 7 were recorded at the Music Department of the State University of New York at Albany, under the auspices of Joel Chadabe, and the primary recording engineers were Phil Edelstein and Richard Lainhart. The period was 1975 to 1980. • Track 8. was recorded by Steve Cellum in New York circa 1983. The scores were realized on multitrack tape at Experimental Intermedia in New York by Phill Niblock. • Track 9. was a live acoustic recording of a performance in Philadelphia, circa 1983. • Multi-zone / Color / NTSC 5.1 / 3 Hr 28 min / 4:3
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