Henry Purcell 16591695 The Complete Works for Harpsichord











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00:00 A New Scotch Tune Z.655 • 01:25 A New Ground Z.T.682 • 02:59 Sefauchi´s Farewell Z.656 • 05:03 Minuet Z.T.688 • 06:00 Suite of Lessons Z.665: Prelude - Almand - Saraband - Jigg • 10:27 March Z.T.687 • 11:41 Jigg Z.T.686 • 12:26 Air Z.641 • 13:55 Aire Z.T.675 (696/1) • 16:30 Minuet Z.T.696/2 • 18:02 Air Z.T.692 • 19:42 Canary Z.T.677 • 20:34 Ground Z.D.622 • 22:53 Hornpipe Z.T.683 • 23:31 Hornpipe Z.T.685 • 24:11 Minuet Z.651 • 25:22 Saraband with division Z.654 • 26:47 Song Tune Z.T.694 • 27:50 New Minuet Z.T.689 • 28:42 Minuet Z.649 • 29:32 Suite No 1 in G major Z.660: Prelude - Almand - Corant - Minuet • 33:20 Suite No 2 in G minor Z.661: Prelude - Almand - Corant - Saraband • 42:46 March Z.647 • 43:43 March Z.648 • 44:38 A New Irish Tune (Lilliburlero) Z.646 • 45:21 Riggadoon Z.653 • 46:05 March Z.T.687 • 47:26 Trumpet Tune Z.T.698 • 48:08 Chacone Z.T.680 • 50:55 Trumpet Tune (called The Cibell) Z.T.678 • 52:12 Trumpet Tune Z.T.697 • 52:55 Air Z.T.676 • 54:07 Air Z.T.693 • 56:03 Air Z.T.630/1 • 57:27 Ground in gamut Z.645 • 59:32 Ground Z.T.681 • 1:02:05 Round-O Z.T.684 • 1:03:23 Ground Z.D.221 • 1:05:51 Trumpet Minuet Z.D.220 • 1:06:37 The Queen´s Dolour Z.670 • 1:08:11 Suite No 3 in G major Z.662: Prelude - Almand - (Corant) • 1:15:05 Suite No 4 in A minor Z.663: Prelude - Almand - Corant • 1:20:47 Suite No 5 in C major Z.664: Prelude - Almand - Corant - Saraband • 1:27:38 Suite No 6 in D major Z.665: Prelude - Almand - Hornpipe • 1:32:51 Suite No 7 in D minor Z.666: Almand (Bell-barr) - Corant - Hornpipe • 1:39:51 Suite No 8 in F major Z.667: Prelude - Almand - Corant - Minuet • Gerald Ranck: Harpsichord by Eric Herz, Cambridge, Mass. 1964 • The present recording comprises all of Purcell’s music for solo harpsichord, and includes several pieces termed “doubtful” in the presently accepted, definitive thematic catalogue of Purcell’s music compiled by Prof. Franklin B. Zimmermann (Macmillan: London, 1963). The edition used for this recording was prepared by Howard Ferguson, and was published by Stainer and Bell, London: 1968. • A substantial number of Purcell’s harpsichord works are transcriptions which he made from either his operatic or orchestral works: indeed, even the operatic transcriptions are seldom vocal. But the quality of the transcriptions is exceptional. Here follows a list of those transcriptions and their original sources: • 1) Z.T.689: A New Minuet: an arrangement of the song ‘Who cannot resist such mighty charms?” from ‘Timon of Athens.” NB: Ferguson considers this to be a mistaken listing by Prof. Zimmermann • 2) Z.T.682: “A New Ground”: Aria, “Here the Dieties Approve’ from ‘Welcome to all the pleasures’’ (the shorter “Ode for St. Cecilia’s Day,” Z.339/3) • 3) Z.T.688: “Minuet”: Ritornello for 2 violins and continuo from “Raise the voice,” Z.334/6 • 4) Z.T. 687: “March”: from “The Married Beau,” Z.603/8 • 5) Z.T.698: “Trumpet Tune”: from “The Indian Queen,” Z.630/4a • 6) Z.T.686: ‘Jig’: from “Abdelazer, Z.570/7 • 7) Z.T.680: Chacone: The Curtain Tune for Strings from “Timon of Athens,” Z.632/20. • 8) Z.T.697: “Trumpet Tune’: The Trumpet Tune for 2 trumpets and bass from ‘‘Dioclesian,” Z.627/21 • 9) Z.T.675: ‘Aire’: Air for strings from “The Indian Queen,” Z.630/22 • 10) Z.630/1: ‘Air’: The first music air for strings from “The Indian Queen,” Z.630/1 • 11) Z.T.676: “Aire”: Minuet for Strings from “The Double Dealer,’ Z 592/7 • 12) Z.T.693/2: ‘Air’: Air for strings from “Abdelazer,” Z 570/6 • 13) Z.T.677: “Canary”: Third Act tune from “The Indian Queen,” Z 630/16 • 14) Z.T.681: “Ground”: Alto solo: “With him he brings the partner”: from ‘Ye Tuneful Muses,” Z.344/11 • 15) Z.T.683: “Hornpipe’: Hornpipe for strings from “Abdelazer,” Z.570/8 • 16) Z.T.685: “Hornpipe”: Hornpipe for strings from ‘‘The Old Bachelor,” Z.607/4 • 17) Z.T.684: “‘Round-O”: Rondeau for Strings from ‘‘Abdelazer,”’ Z.570/2 (employed by Benjamin Britten in his ‘Variations and Fugue on a Theme by Purcell,” or as is better known, “Young Person’s Guide to the Orchestra.”’) • Doubtful or Spurious Pieces (acc. Zimmermann): • 1) Z.D.221: “Ground”: probably by William Croft • 2) Z.D.230: “Trumpet Minuet’: probably by Jeremiah Clarke • 3) Z.670: “The Queen’s Dolour”’: doubtful, no other composer suggested • Z.T = transcription. • Z.D = doubtful.

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