Youtor
NEW version of NORWIDs masterpiece the quotFORTEPIAN SZOPENAquot in my interpretation CzarMuzyki
>> YOUR LINK HERE: ___ http://youtube.com/watch?v=uqqSH0DVfds
Zgodnie z obietnicą przedstawiam drugą NOWĄ wersję arcydzieła NORWIDA: FORTEPIAN SZOPENA w mojej interpretacji. Wersja 1 (Full) sprzed lat -- • †17 X 1849. C.K. NORWID: FORTEPIAN S... Nie jestem przekonana, czy jest lepsza, ale na pewno wyraźniejsza. Uspokoiłam efekty specjalne swojej ścieżki dźwiękowej nagrywając to Dzieło dzisiaj. / As promised, I present the second NEW version of NORWID's masterpiece: the FORTEPIAN SZOPENA in my interpretation. I am not sure if it is better, but it is certainly clearer. I have calmed down the special effects of my soundtrack. • Nagranie nowej recytacji wiersza 1 lipca 2022. The recording of NORWID's poem took place on July 1, 2022. • Video (July 1, 2022) real. Ewa Chamiec. • Grają: Krystian Zimerman (fragment Larghetto z Koncertu f-moll); • I Janusz Olejniczak (dwa Preludia z Op. 28: e-moll Nr 4; d-moll Nr 24). • ---------------------------------------- • CYPRIAN KAMIL NORWID (my playlist) -- • CYPRIAN KAMIL NORWID. Born in 1821 in... • Wersja 1 (Full) sprzed lat -- • †17 X 1849. C.K. NORWID: FORTEPIAN S... • Krystian ZIMERMAN (my playlist) -- • Krystian Zimerman • Janusz OLEJNICZAK w fonotece CzarMuzyki -- • Janusz Olejniczak • THE BEST OF CHOPIN (zbiory i opracowania CzarMuzyki) -- • THE BEST OF CHOPIN in the collections... • ============================== • CYPRIAN KAMIL NORWID. POLAND. • A romantic poet, novelist, playwright, sculptor, painter and draughtsman. Born in 1821 in the town of Laskowo-Głuchy. Died in Paris in 1883. • Norwid spent his youth studying painting in Warsaw. In 1842 he departed for Germany, subsequently venturing on to Italy, where he continued his studies in the visual arts. In 1846 he found himself in Berlin, where he was arrested and imprisoned for political reasons. Though brief, this period of imprisonment most probably caused the health problems he would face throughout the remainder of his life. Norwid then left Berlin for Brussels, where he accepted the status of an emigrant. • In Rome, to where he traveled soon afterwards, he developed friendships with Zygmunt Krasinski and with the Order of the Fathers of the Resurrection. In 1849 he arrived in Paris, where he developed contacts with outstanding representatives of the Polish and international émigré communities (for example Frederic Chopin, Adam Mickiewicz, Juliusz Słowacki, Adam Jerzy Czartoryski, Georg Herwegh, Aleksander Hercen). An amorous disappointment and a dearth of resources caused him to travel to New York in search of better fortunes. • He attempted to earn a living by selling his sculptures and drawings, though did not meet with much luck. He returned to Paris in 1854, settling there permanently. He was primarily known within the artistic community as an orator, draughtsman, and engraver (he was accepted into the Société des Artistes in 1868). Relentless financial troubles and advancing deafness caused Norwid to take up residence in the St Casimir Institute in 1877. • The institute was in fact a shelter for impoverished Polish war veterans and orphans, and Norwid spent the rest of his life there. Upon his death, he was buried at the cemetery in Ivry, very near the Institute. In 1888 his remains were transferred to the Polish cemetery at Mortmorency, where they were placed in a group grave. • Norwid attempted to participate in the public life of his times in a variety of ways. He made an effort to involve himself in the political activities of the Hôtel Lambert and in the campaigns of the Fathers of the Resurrection. For example, during the Spring of Nations, he worked with the Fathers to oppose the political activities of Mickiewicz and his Skład Zasad (Set of Principles). He published many essays that commented on current political events. In these he attempted to formulate programs that would be adapted to the changing times. In particular, during the time of the January Insurrection in Poland he wrote numerous memorials and political letters; in general, however, these did not have much impact. (...) • ==================================
#############################
