Fishing Weedless Swimbaits

>> YOUR LINK HERE: ___ http://youtube.com/watch?v=v4OeCFr9sgQ

The Magdraft has been Chris Zaldain's go-to swimbait in tournament situations, landing the largest single-day weight in the 2019 Bassmaster Classic and countless key bites on the Elite Series tour. Chris introduces the Magdraft Freestyle, which is an un-rigged 6 swimbait that allows for weedless, jighead and line-through presentations to target new areas and new bites. In this video, Chris shares one of his favorite rigging styles and the where/when/why/how that will lead to more and bigger bites. Whether you are fishing laydowns, grassy areas, or over the tops of submerged vegetation, the Magdraft Freestyle is ready to rig and deploy for powerful results. • FEATURED PRODUCT: • For more on the Freestyle, check out our product page here: https://bit.ly/2EFgysv • Facebook: / megabassamerica • Instagram: / megabassamerica • ========= • ABOUT US: • ========= • The birth of Megabass in the U.S. is the stuff of legend, involving a cross-country trek in the early 90’s, in which the Megabass designer/CEO Yuki Ito challenged pro staff of local stores and area pros to one-on-one fishing duels. The rules were simple: if Yuki Ito won, the store had to buy his lures; if the U.S. angler won, then Yuki had to buy local tackle from the store. This “put your money where your mouth is” approach, combined with the quality and flat out fish-catching ability that was evident in Yuki’s handcrafted Megabass equipment, succeeded in convincing stores to take on this premium imported tackle. • Today Megabass still embodies that daring spirit. Each product is a painstaking marriage of handmade form and technological innovation. Megabass strives to capture the same care, quality, and attention to detail embodied by the handmade tradition. In a modern age dominated by CAD and mass production, every Megabass lure is based on a hand-carved Yuki Ito original. Each stage of the development process is closely monitored with exacting quality controls to ensure that the mechanical process of production does not whitewash the integrity of the original.

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