François Bayle Espaces inhabitables 1966
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I. Jardins de rien 00:00 • II. Géophonie 2:58 • III. Hommage à Robur 5:36 • IV. Le bleu du ciel 10:57 • V. Amertumes 13:23 • This concrete piece in five movements, goes way further in a direction usually neglected by the musicians: • The effect of sound. Effect of meaning, effect of truth, disturbing and inexpressible evidence of the musical that occurs. • The inductive power of electroacoustic sounds would help to narrow the obscure networks of perception and intuition into an intense and unique exercise. • A new logic would be woven by the bond of memory attached to natural sound objects. But also by the morphology of manipulated sounds, whose acoustic tracing speaks in a plastic language, with fluid values. • Thus the movements «Jardins de rien» and «Le bleu du Ciel» draw the shapes of an imagined world (an interval between the metaphor of objects and the metonymy of desires, as psychoanalysis shows after linguistics). • «Géophonie» , «Hommage à Robur» and «Amertumes» evoke the brilliance and the shadow of a kind of Jules Verne, precursor also in surrealism. (François BAYLE).
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