The Specials Ghost Town 1981 HIGH QUALITY COVER VERSION

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/ pickwickrecordlabel • To buy this song from the Amazon store click here http://amzn.to/JHkNz5 • This is a cover version by Top of the Poppers • Ghost Town is the title of a 1981 song by the British ska band, The Specials. The song spent three weeks at number one and ten weeks in the top 40 of the UK Singles Chart. • Addressing themes of urban decay, deindustrialisation, unemployment and violence in inner cities, the song is remembered for being a hit at the same time as riots were occurring in British cities. As such, it is remembered as a major piece of popular social commentary. • In Autumn 1980, during the More Specials tour, the band arrived in Glasgow for a performance. The song was inspired by the sight of elderly women selling their possessions on the Glasgow streets. Keyboardist Jerry Dammers said: It was unbelievable. It was clear that something was very, very wrong. • In an interview in 2011, Dammers explained how witnessing this event inspired his composition: • The overall sense I wanted to convey was impending doom. There were weird, diminished chords: certain members of the band resented the song and wanted the simple chords they were used to playing on the first album. It's hard to explain how powerful it sounded. We had almost been written off and then 'Ghost Town' came out of the blue. • The song's sparse lyrics address urban decay, unemployment and violence in inner cities. Jo-Ann Greene of Allmusic notes that the lyrics only brush on the causes for this apocalyptic vision - the closed down clubs, the numerous fights on the dancefloor, the spiraling unemployment, the anger building to explosive levels. But so embedded were these in the British psyche, that Dammers needed only a minimum of words to paint his picture . • The club referred to in the song was The Locarno, run by Mecca Leisure Group and later renamed Tiffanys, which was also the club setting the scene for the b-side song, Friday Night and Saturday Morning . It is now Coventry Central Library. • Recording: • In March 1981, Jerry Dammers asked John Collins, an unknown producer whom he admired for his work on the recently popular reggae track At the Club by Babylon actor Victor Romero Evans, to produce the band's next single. After bad experiences with high-tech studios provided by major labels, Dammers chose the small-scaled Woodbine Street Recording Studios in Leamington Spa to record with Collins. • In a session lasting 10 days, Ghost Town was recorded by building up tracks on a 8-track, rather than recording the band live together. Collins and drummer John Bradbury were influenced by What a Feeling by Gregory Isaacs when recording the drum track. The recording of backing vocals was unplanned and the lack of technology to sample voices meant the four singers in the band had to sing a full vocal track all the way through, causing the lyric this town is coming like a ghost town to become like an hypnotic chant . After mixing the track for three weeks, Collins recreated an idea of fading in over a sound effect which he had used previously on Lift Off , the B-side of At The Club . To achieve the effect he wanted, Collins utilised a Transcendent 2000 synthesiser to create a ghost sound, which he used to fade in and out at the beginning and end of the track. • The song spent three weeks at number one and ten weeks in the top 40 of the UK Singles Chart overall. The track was recorded at the Woodbine Street Recording Studios in Leamington Spa, Warwickshire • Images used in this video by the following people: • http://www.flickr.com/photos/johnxfir... • http://www.flickr.com/photos/zoutedro... • http://www.flickr.com/photos/29198100... • http://www.flickr.com/photos/salim/31... • http://www.flickr.com/photos/oneras/4... • Ghost movement by Catherine Blakemore.

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