Gnossienne no5 by Erik Satie 18661925 composed in 1889

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To buy this song and other popular recordings of mine on Loudr or iTunes, or to listen on Spotify go here: • Loudr: http://www.loudr.fm/artist/daigoro789... • iTunes: https://itunes.apple.com/us/artist/da... • Spotify: https://play.spotify.com/album/4ujkSn... • Facebook fan-page: / 330163270336943 • This is Gnossienne no.5 by the French composer Erik Satie (1866-1925) and was composed in 1889. • This Gnossienne is such a departure from the rest of the series - such a beautiful and joyful piece, that also can sound quite sad and mystical like the rest of the series if played a certain way - I tried to capture both emotions/sentiments in my performance. • To hear more of these mystical pieces check out my Gymnopedie and Gnossienne playlist to hear more of these wonderful pieces :) • • Gymnopedies Gnossiennes: Erik Satie • The Gnossiennes draw upon the cult of round-dances and stepping dances of the inhabitants of the town of Knossos; the Greek word gnosis, however, also means 'insight' or 'judgement'. Once more Satie plays with various possible interpretations within a genre. The harmonic, musical and even technical proximity of the Gnossiennes Nos. 1-3 (1890) to the Gymnopedies is clearly to be felt. In a departure from his customary 'ecriture musicale', Satie leaves out bar-lines and time signatures, for example. A Grecian-Oriental model sense of harmony takes the place of conventional major/minor tonality. What is striking in these works is Satie's method of composing with 'build-ing-blocks', where the small phrases that are the substance of the piece can be interchanged and repeated at whim. The Gnossiennes Nos. 4-6 (written between 1889-1897) differ from the first three in their harmonic complexity and in the greater technical demands of their accompanying figures Taken from the preface to the Schott edition of the score.

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